A true pair of French 19th century Louis XVI st. Ormolu and patinated Bronze andirons, after a model by Caffieri and signed H. Vian

List: $16,800.00

An adorable true pair of French 19th century Louis XVI st. Ormolu and patinated Bronze andirons, after a model by Caffieri and signed H. Vian. Each high quality andiron is raised by four topie shaped legs decorated with draping acanthus... — Read More

Item # 14111
H: 11.75 in L: 9.5 in D: 6.25 in
H: 30 cm L: 24 cm D: 16 cm
France
19th Century
Ormolu, Patinated Bronze
Louis XVI st. Read More

(Louis XVI st.) - Also known as Louis Seize, Louis XVI's style is a style of architecture, furniture, decoration, and art created during Louis XVI’s 19-year reign in France, just before the French Revolution. Thought to be a reaction and juxtaposition to the prior more elaborate styles, Louis XVI style developed at the end of the Baroque Period and continued until the birth of French Neoclassicism. King Louis XVI showed little enthusiasm for the old world styles of the Baroque Period and he sought out a create a new “beau ideal” that focused on the purity and grandeur of Ancient Romans and Greeks. Inspired by Ancient Roman architecture and art, distinct features of the Louis XVI style are linear lines, small repeated motifs, floral medallions hanging from ribbons, acanthus leaves, urns, dolphins, ram, and lion heads, and griffins. Greco-Roman elements, often used in earlier and later French styles, were also quick common and included fluted and twisted columns, Caryathids, and corbels.

Philippe Caffiéri Read More , Henry Vian Read More

Philippe Caffiéri (1714–1774) was a French sculptor. The son of Jacques Caffieri, he was received as a maître fondeur-ciseleur, joined his father's workshop and sometimes signed his independent works, especially after the death of his father in 1755, P.CAFFIERI.

Henry Vian (1860-1905) was a celebrated bronzier who specialized in the production of bronzes in the eighteenth century style, particularly light fittings, cases with bronze mounts and chandeliers of great quality. He participated in the Great Exhibition of 1878, 1889 and 1900 and received a Gold Medal in 1889. His workshop was based at 5 rue de Thorigny in Paris. His wife and son ran the business after his death in 1905 until 1944, when the city of Paris took over the premises for the l'Ecole des Métiers d'Art.

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