A French 19th century Charles X st. Belle Epoque period patinated Bronze and Ormolu chandelier

List: $22,500.00

A handsome and high quality French 19th century Charles X st. Belle Epoque period patinated Bronze and Ormolu chandelier. The twelve arm chandelier has a elaborate bottom Ormolu finial surrounded by palmettes below fanciful acanthus leaves and the elegant patinated... — Read More

Weight: 50 lbs / 22.675 kg

Shades, Canopies and Chain shown for display purposes, sold separately.

Item # 13387
H: 43.5 in L: 30 in D: 30 in
H: 110 cm L: 76 cm D: 76 cm
Shade Diameter: 5 in
France
19th Century
Ormolu, Patinated Bronze
Belle Époque Period Read More, Charles X st. Read More

(Belle Époque Period) - Gaining its name from the optimistic and peaceful period of time between 1871 and World War I, Belle Epoque means “beautiful period”, and occurred during the era of the Third French Republic. This period of economic, colonial, and scientific prosperity brought with it a flourishing artistic climate with numerous literal, musical, theatrical, and visual masterpieces being created. The Eiffel Tower, which was constructed between 1887 and 1889, served as the entrance to the World’s Fair held in Paris. That same year, the Moulin Rouge cabaret in Paris was founded and showcased the now more mainstream styles of performance including can-can dancing. Belle Epoque dancers and singers were Paris celebrities and became immortalized by the poster arts of Toulouse-Lautrec. Leading up to this period in 1865, the American Civil War was coming to a close, with France proposing to construct the Statue of Liberty as a joint effort with the United States. France would be responsible for the statue, with America constructing the pedestal. Created to celebrate the nation’s success in building a viable democracy, the statue would stand as a symbol of friendship between the French and American people.

(Charles X st.) - During the French Restoration period, Charles X's style was softer with the adaptation of curved lines. Although a continuation of the French Empire, this style was less formal than the Napoleonic era. The elegant aspects of the French Empire were still visible, but shapes became curvier with volutes and arabesque movements. Bois Clairs, or light woods, were varnished to highlight the grains and inlaid to replace bronze work seen on pieces from earlier periods. At this time dark woods had become harder and harder to find in France, with Napoleonic policies preventing France from doing business and importing items from the rest of Europe. Craftsmen now had to find alternatives to Mahogany, which was the most common material used. Bird’s-eye Maple, Ash, Plane, Yew, Beech, Oliver, and Cedar were now more often used and contributed to this new style's popularity.

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