A true pair of French 19th century Neo-Classical st. ormolu, patinated bronze and Vert Maurin marble aux victoires candelabras after a model by Thomire

List: $35,500.00

A striking and extremely high quality true pair of French 19th century Neo-Classical st. ormolu, patinated bronze and Vert Maurin marble aux victoires candelabras after a model by Thomire. Each candelabra is raised by elegant reeded topie shaped feet below... — Read More

All light fixtures have been inspected and rewired to US standards.

Item # 12128
H: 30.75 in L: 12.5 in D: 9 in
H: 78 cm L: 32 cm D: 23 cm
Candle Height: 10 in
France
19th Century
Marble/Stone, Ormolu, Patinated Bronze
Neo-Classical st. Read More

(Neo-Classical st.) - One of the top design styles in modern interiors is Neo-Classical. Developed in the 18th century, artists of this time sought to move away from the abundance of decoration saw in the Rococo style and shift towards a more restrained and moderate style. As a result of this, excessive ornamentation was left behind with the new focus being on symmetry and minimalism. Architectural elements like columns and cornices were now the star of the show and were paired with linear furniture to showcase the beauty of the architecture. The Neo-Classical decorating style is modest and chic, with decorative pieces being strategically placed with moldings and cornices being the finishing touch. Tall walls, large expansive windows, and columns are key features of any Neo-Classical design.

Pierre-Philippe Thomire Read More

Pierre-Philippe Thomire (1751–1843) a French sculptor, was the most prominent bronzier, or producer of ornamental patinated and gilt-bronze objects and furniture mounts of the First French Empire. His fashionable Neo-Classical and Empire style furnishing bronzes, established the highest standard in refined finish. Before the French Revolution Thomire produced a set of gilt-bronze wall-lights delivered for Marie-Antoinette's card-room, her Salon des Jeux at Compiègne In 1783–84 he received his first notable commission, casting and finishing the gilt-bronze handles modeled by Boizot for a pair of Sèvres porcelain vases, today divided between the Musée du Louvre and Palazzo Pitti. Under the Empire, Thomire purchased the fashionable premises of the marchand-mercier Martin-Éloi Lignereux, for whom he had provided furnishing bronzes in rue Taitbout, Paris. He received a Gold medal at the 1806 Exposition Publique des Produits de l'Industrie. Notably, the first time a bronzier was permitted among the exhibiters. He was also responsible for the ormolu mounts on a secretary desk by Guillaume Beneman, delivered for the King's cabinet intérieure at Compiègne, in1787. In a notable commission for Count Nicolay Demidoff in 1819, Thomire produced finely-made figures of Fame with doubled trumpets to serve as handles for the massive malachite-veneered vase now at the Metropoolitan Museum. Thomire retired from his firm in 1823. His most prestigious commission was the execution of the cradle for the King of Rome.

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