A pair of French 19th century Louis XVI st. Ormolu and patinated Bronze candelabra lamps, in the manner of Clodion
An impressive and high quality pair of French 19th century Louis XVI st. Ormolu and patinated Bronze candelabra lamps, in the manner of Clodion. Each most exceptional electrified candelabra is raised on an oval Ormolu base with acanthus leaf feet... — Read More
An impressive and high quality pair of French 19th century Louis XVI st. Ormolu and patinated Bronze candelabra lamps, in the manner of Clodion. Each most exceptional electrified candelabra is raised on an oval Ormolu base with acanthus leaf feet and swaging garlands topped with acorn finials. A large scale foliate reserve wraps around the base below a tapered platform, laurel band, and patinated Bronze socle support. A charming inverted acanthus leaf spray supports the patinated Bronze bodies of the lamps and is mirrored by an impressive reserve of Ormolu acanthus leaves. The wonderfully beaded and fluted patinated Bronze bodies showcase charming scenes of playful cherubs amidst intricately detailed foliage. The lamps are flanked by exquisite and large scale Ormolu handles decorated with scrolled and foliate designs, and beaded pulls below. The tapered fluted neck of each lamp leads to a wonderful reserve of a female mask in front of a Vitruvian scroll band. Above are the impressive and most intricate candelabras with all seven arms connected to the central fut by a grouping of Griffin heads. The foliate central fut supports the six outer and single central arms, all displaying scrolled movements leading to beaded bobeches and foliate candle cups. — Read Less
All light fixtures have been inspected and rewired to US standards.
- Item # 14478
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H: 50 in L: 14 in D: 12.5 in
H: 127 cm L: 36 cm D: 32 cm
- Shade Diameter: 5 in
- France
- 19th Century
- Ormolu, Patinated Bronze
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Louis XVI st. Read More
(Louis XVI st.) -
Also known as Louis Seize, Louis XVI's style is a style of architecture, furniture, decoration, and art created during Louis XVI’s 19-year reign in France, just before the French Revolution.
Thought to be a reaction and juxtaposition to the prior more elaborate styles, Louis XVI style developed at the end of the Baroque Period and continued until the birth of French Neoclassicism.
King Louis XVI showed little enthusiasm for the old world styles of the Baroque Period and he sought out a create a new “beau ideal” that focused on the purity and grandeur of Ancient Romans and Greeks.
Inspired by Ancient Roman architecture and art, distinct features of the Louis XVI style are linear lines, small repeated motifs, floral medallions hanging from ribbons, acanthus leaves, urns, dolphins, ram, and lion heads, and griffins.
Greco-Roman elements, often used in earlier and later French styles, were also quick common and included fluted and twisted columns, Caryathids, and corbels.
- Claude Michel Read More
Claude Michel, aka Clodion (1738 – 1814) Was a renowned French Master sculptor Born in Nancy, France. In 1755, Clodion went to Paris and was a pupil of J. B. Pigalle. In 1759 he obtained the grand prize for sculpture at the Académie Royale; in 1761 the silver medal for studies from models; and in 1762 he went to Rome. Catherine II of Russia was eager for him to go and stay in St Petersburg, but he returned to Paris. Among his patrons, were the chapter of Rouen, the states of Languedoc, and the Direction Générale. His works were frequently exhibited at the Salon. Among Clodion's works, that are displayed all over the world, are a statue of Montesquieu and a Dying Cleopatra, in the Victoria and Albert Museum, (London). One of his last groupings represented Homer as a beggar being driven away by fishermen (1810).
Claude Michel works may be seen at: the Art Institute of Chicago, the Bowes Museum (County Durham, UK), the Carnegie Museum of Art (Pittsburgh), the Courtauld Institute of Art (London), the Fine Arts Museums of San Francisco, the Frick Collection (New York City), the Getty Museum (Los Angeles), the Kimbell Art Museum (Texas), the Louvre (Paris), the Metropolitan Museum of Art, Musée Cognacq-Jay (Paris), the Museum of Fine Arts (Boston), Musée des Beaux-Arts (Bordeaux), Museum Boijmans Van Beuningen (Rotterdam), the National Gallery of Armenia, the National Gallery of Art (Washington.), the Norton Simon Museum (Pasadena) and the Philadelphia Museum of Art.
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