A Continental 19th century Biedermeier Empire/Neo-Classical st. Burl Walnut, Ebonized Fruitwood, Giltwood and Ormolu Bureau Plat by Francois Linke

List: $89,800.00

A sensational and extremely high quality Continental 19th century Biedermeier Empire/Neo-Classical st. Burl Walnut, Ebonized Fruitwood, Giltwood and Ormolu Bureau Plat by Francois Linke. This important and unique desk is raised on eight ball supports covered by scale like Ormolu... — Read More

Item # 13808
H: 29.25 in L: 62.25 in D: 33.25 in
H: 74 cm L: 158 cm D: 84 cm
Continental
19th Century
Ebonized Fruitwood, Giltwood, Ormolu, Walnut
Biedermeier st. Read More, Empire st. Read More, Neo-Classical st. Read More

(Biedermeier st.) - This simplified version of the influential French Empire style adapted furniture and design to modern 19th-century households. Biedermeier furniture utilized locally available materials like Cherry and Ash woods rather than Mahogany, which became very expensive due to import taxes. Woods were stained to imitate the look of more expensive timbers. Being simpler and more elegant in style, there was a new focus on conveying truth through materials.

(Empire st.) - Neo-Classical in style, it was inspired by the decorative motifs and characteristics of Greco-Roman models, characterized as noble and massive. Mahogany, Rosewood, and Ebony were the preferred woods. Brass or gilt mounts in the form of swags, festoons, laurel wreaths, torches, and mythological creatures were used. Also common were the Napoleonic emblems of the bee, the crown, and the letter "N". After Napoleon conquered Egypt, he was so inspired by what he saw there, and he instructed his cabinet makers to include designs of sphinxes, Cariatides, and other Egyptian figures, in their creations.

(Neo-Classical st.) - One of the top design styles in modern interiors is Neo-Classical. Developed in the 18th century, artists of this time sought to move away from the abundance of decoration saw in the Rococo style and shift towards a more restrained and moderate style. As a result of this, excessive ornamentation was left behind with the new focus being on symmetry and minimalism. Architectural elements like columns and cornices were now the star of the show and were paired with linear furniture to showcase the beauty of the architecture. The Neo-Classical decorating style is modest and chic, with decorative pieces being strategically placed with moldings and cornices being the finishing touch. Tall walls, large expansive windows, and columns are key features of any Neo-Classical design.

François Linke Read More

François Linke (1855-1946) Renowned 19th Century Parisian Ébéniste. Linke created historical interpretations of Louis XV and Louis XVI styles. Early in his career his workshop supplied furniture for more established makers such as Jansen and Krieger Linke displayed at the Paris Universal Exhibition of 1900 where he received a gold medal for his exhibition. Linke's stand was the biggest show in the history of art furniture in the year 1900. Visitors to his stand included; the King of Sweden, king of Belgium, Prince Radziwill, the Prince, d’Arenberg and the President of France Emile Loubet, among many other counts and heiresses from the Americas. At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. By that time Linke’s worldwide reputation and expertise was unmatched by any of his peers. In 1906 Linke recieved the highest distinction of France; the Croix de la Légion d’Honneur. The Art Journal ‘Revue’ described Linke's style as 'Entièrement Nouveaux'. His characteristic sculptural gilt mounts reflected the influence of marquetry genius André-Charles Boulle.

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